344 pp., 6.125 x 9.25, 20 halftones, notes, bibl., index
Looking Back at a Children’s Classic and the Difference It Made
If you grew up in the era of mood rings and lava lamps, you probably remember Free to Be . . . You and Me--the groundbreaking children's record, book, and television special that debuted in 1972. Conceived by actress and producer Marlo Thomas and promoted by Ms. magazine, it captured the spirit of the growing women's movement and inspired girls and boys to challenge stereotypes, value cooperation, and respect diversity. In this lively collection marking the fortieth anniversary of Free to Be . . . You and Me, thirty-two contributors explore the creation and legacy of this popular children's classic.
Featuring a prologue by Marlo Thomas, When We Were Free to Be offers an unprecedented insiders' view by the original creators, as well as accounts by activists and educators who changed the landscape of childhood in schools, homes, toy stores, and libraries nationwide. Essays document the rise of non-sexist children's culture during the 1970s and address how Free to Be still speaks to families today.
Contributors are Alan Alda, Laura Briggs, Karl Bryant, Becky Friedman, Nancy Gruver, Carol Hall, Carole Hart, Dorothy Pitman Hughes, Joe Kelly, Cheryl Kilodavis, Dionne Kirschner, Francine Klagsbrun, Stephen Lawrence, Laura L. Lovett, Courtney Martin, Karin A. Martin, Tayloe McDonald, Trey McIntyre, Peggy Orenstein, Leslie Paris, Miriam Peskowitz, Deesha Philyaw, Abigail Pogrebin, Letty Cottin Pogrebin, Robin Pogrebin, Patrice Quinn, Lori Rotskoff, Deborah Siegel, Jeremy Adam Smith, Barbara Sprung, Gloria Steinem, and Marlo Thomas.
Publisher's Note: Late in the production of this book, the text on pages 252 and 253 was accidentally reversed. As a result, one should read page 253 before turning to page 252 and then proceeding on to page 254. The publisher deeply regrets this error.
“An unprecedented insiders’ view by the original creators, as well as accounts by activists and educators who changed the landscape of childhood in schools, homes, toy stores, and libraries nationwide.”
--Forces of Geek
"Readers familiar with the original record or book, both still available, and researchers interested in social, gender, and media studies will appreciate this work."
"Like any compilation, some entries are more compelling than others, but overall I really liked the extremely broad approach, ranging from behind-the-scenes accounts of the original production to critiques of how well the material has held up in terms of the changing social values. Anyone interested in nonsexist child rearing or the history of women's liberation should pick this up."
--Sarah Holt, Children's Book Buyer, Left Bank Books, St. Louis
"Recommended. All levels/libraries."
“[A] thoughtful, nuanced work of scholarship. . . . The essays engage Free to Be from a diverse array of perspectives, situate it in a clear and compelling historical context, and bring to bear satisfying cultural analysis and cultural criticism.”
"How wonderful it is to see the paths taken by the younger contributors to this book--the ones who were children when Free to Be was first released. Reading about their journeys delighted and inspired me."
--Marlo Thomas, from the Prologue
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